Jonathan Prince

Shatter (Stainless I) Stainless Steel 14.5 x 8.5 x 8.5 inches

Contemplation I, 2018-2019 Mirror Polished Stainless Steel / Tinted Transparent Urethane Automotive Paint / Aluminum 54.5 x 32 x 5 inches

Ripple Cube 14, 2014 High Chromium Stainless Steel 14h x 14w x 14d inches

Liquid State (Orange), 2015 High Chromium Stainless Steel / Transparent Color 19h x 19w x 19d inches

Liquid State Inhale, 2014 High Chromium Stainless Steel 22h x 22w x 22d inches

Liquid State Pause, 2014 High Chromium Stainless Steel 22h x 22w x 22d inches

Five Piece Sphere, 2009 Indian Black Granite 22h x 33w x 24d inches

Slice II, 2013 High Chromium Stainless Steel / Silicon Bronze 7h x 35w x 7d inches

Ingot II, 2013 Fabricated Silicon Bronze 4 3/4h x 13 3/4w x 7 1/4d inches

Shatter (White Series I), 2018 Stainless Steel / Automotive Urethane Each piece 8 x 8 x 8 inches

Extrusion, 2013 High Chromium Stainless Steel 7h x 48w x 10d inches


Jello Cube Trio, 2016 Mirror polished stainless steel and transparent color 38h x 74w x 30d inches

Range, 2017 CorTen and stainless steel 12 x 20 x 20 inches

Southern Remnant, 2012 CorTen and stainless steel 60 x 132 x 60 inches

Mantle, 2014 Mirror polished marine grade stainless steel 19 x 19 x 19 inches

Liquid State Exhale, 2014 Mirror polished marine grade stainless steel 22 x 22 x 22 inches

Jello (Lime), 2017 Mirror polished marine grade stainless steel / tinted automotive clear coat 48 x 48 x 48 inches

G2V, 2012 CorTen and mirror polished marine grade stainless steel 114 x 96 x 48 inches

Liquid State I, 2014 Mirror polished marine grade stainless steel 32 x 32 x 32 inches

Discus, 2017 Mirror polished marine grade stainless steel 30 x 36 x 4 1/2 inches

Cliff, 2017 CorTen and stainless steel 5 x 27 x 24 inches

Alembic Cube, 2017 CorTen and stainless steel 96 x 96 x 96 inches
Jonathan Prince’s sculptures explore the expansive potential for formal and expressive variety latent in stone. Sinuous, organic volumes suggest the presence of a fluid element within solid granite, while pristinely polished surfaces and perfect geometries create a contrasting machine aesthetic. Prince’s geometric abstractions and clear awareness of both mass relationships and surface qualities demonstrate his artistic inheritance from Constantin Brancusi, Jean Arp, and other masters of twentieth-century modernist sculpture.
The artist resurrected his latent passion for sculpture in 2004 after a distinguished and diverse professional career in the arts and sciences. Prince completed a doctorate at Columbia University and post-doctoral studies at the University of Southern California. He has produced feature films and directed numerous computer-animated special effects projects including significant contributions to an Emmy Award-winning CBS television miniseries. He has been involved in several large-scale technology and art installations at such renowned venues as the Smithsonian Institution and holds several design patents for his developments in optical engineering. The artist described his full-time return to sculpture as a turning point in his life. According to critic Alexandra Anderson-Spivvy Prince’s return to the studio has produced “a mature body of work, refined in concept and fearless in execution.”